The first is a Cilgerran 12 fret. The soundboard is Carpathian spruce with back and sides of Cocobolo. For those of you who are interested, Carpathian spruce Picea Abies is the same as German, Italian, Swiss.... any European Spruce but it grows in the Carpathian mountains in Eastern Europe. It is typically quite slow growing, showing tight grain lines that we like although heavy logging by the Soviets means that often the rings are rather wide at the edges of the board. Not so with this piece, very nice grain with little runout, lots of cross silking and a lovely tap tone already. Not content with beautiful tonewoods, the future owner of this guitar has specified abalone trim galore; around the soundhole, around the edge of the soundboard, around the back, along the binding on the sides (top and bottom), around the heel of the guitar, around the end fillet and around the fingerboard extension over the soundboard, not to mention an ornate inlay on the headstock and fingerboard markers... I think that's everything. The end result will be my take on Martin's 45 range of guitars. It'll be a thing of beauty when finished!
|Scraping down the marquetry backstrip|
|The first bit of pearl on the guitar|
|Braces all glued on, ready for voicing|
The soundboard is a really nice piece of Western Red Cedar (Thuja plicata for those into their Romans) that I have had in stock for a little while waiting for the right opportunity
This month I was also fortunate enough to be a finalist in two categories in the Monmouthshire business awards in the young entrepreneur and best rural enterprise categories. Although I didn't win, Sammie and I had a very nice evening eating delicious food at the glitzy awards ceremony and dinner at the Angel hotel in Abergavenny. Its great to see so many businesses doing well in our (well, my) neck of the woods.